What would you do with a thousand sheep?

This is absolutely astonishing! What are YOU doing with your sheep? eh? Whatever it is, it's probably not as good as this:

"Birth of a new art form..."

It's not often you hear that phrase. I don't think I've ever used it myself, but a few people have been tossing that around when talking about Kutiman's work at Thru-You.com who does video remixes of musicians around the world to create amazing new musical/video pieces. The one that is getting the most blog exposure is called The Mother of All Funk Chords. However, the one I think more clearly demonstrates the subtlety and intricacy of this artistic contribution is below entitled "I am new":



There have certainly been many video remixes before, but this steps it up a few notches in several directions - in no small part facilitated by abundance and wealth of YouTube performances. One of the earlier examples of musical/video editing that I really enjoyed is work by Lasse Gjertsen. He started with "human beat boxing", but really stepped it up in the following video. It's worth remembering that he doesn't know how to play these instruments:



On the topic of the great examples of creating musical mixes with video, this is another wonderful example of what one individual with a camera, video editor, a few instruments, and some determination can create:



Trying your hand at making something like this would be an excellent procrastineering project.

Wonderful slow-motion stabilized video montage of New York

I'm not sure who Vincente Sachuc is, but he's certainly got a career in cinematography if he wants one. This makes me want to get back into creative film work rather than technical videos. He mentions this is captured with a Casio EX-F1 at 300 fps and edited at 24 fps. A skateboard and a Steadicam Merlin help with the smooth traveling shots. Of course, you could buy one of my Poor Man's Steadycams at 5% of the cost of a Merlin =o). Colorization done in Premiere and Photoshop.


New York 2008 from Vicente Sahuc on Vimeo.

Impressive and Frightening

This is one of the most impressive (and frightening on several levels) pieces of engineering I've ever seen. When there exists a device that can turn a living tree into logs in under 15 seconds, it is no surprise that deforestation can be a problem. Fortunately, this appears to be a tree farm... for IKEA?

The unbridled and unapologetic efficiency by which this machine performs its function leaves a visceral sensation of both awe and horror. It is distrubingly animal-like. The fact the tree is mostly debarked by the time it hits the ground makes my jaw drop.

Sensitive Object - make any surface touch sensitive

This is not extremely new technology, but not a lot of people know about it and it has evolved quite nicely in recent years. Sensitive Object is a French company that sepecializes in the use of microphones to detect touches anywhere on an arbitrary objects. With multiple mics they can determine the location of touches or even dragging (as well as multiple dragging touches - not shown in the video below).



I've had a chance to play with it in person, and it's pretty impressive stuff. It works a lot better than I would expect. It doesn't detect touch locations using a triangulation technique (i.e. see how long it takes for the sound to reach each microphone) because that would vary greatly depending on the material the object was made of (plastic, metal, wood, etc) and depend on the shape of the object. Sensitive Object can do any shape like a vase, or statue.

They accomplish this using a pattern matching technique. Each touch sound gets compared to a known table of sound-to-location mappings. Which means you have to enter this mapping during a calibration step. (i.e. give the system a couple examples of touching each location that you want to recognize, touching here sounds like this.... touching there sounds like that). This upfront calibration step is somewhat heavy, but when you are done it's quite powerful. You could turn a cardboard box, a basketball, your car, or even your friend's head into a touch sensitive surface (if it's hard enough). Though, larger objects may only be "bang sensitive" surfaces.

"He was like..."

While certainly not the technology focused topic I usually post, I definitely wasted a few minutes trying to sing the following chorus in the true spirit of procrastination. Try to sing along (if you can). If you are linguistically incapable, just reading along is amusing enough.

"he was like
she was all
he was all
they were like
we were all,

like oh my god
like totally

we were like
that was all
they were all
he was like
she was like

all totally
like oh my god"



If this was not educational enough for you, the following "anthropological introduction to YouTube" has a boring title, but is an incredibly fascinating and entertaining discussion of the cultural and social phenomena within the depths of YouTube... and relevant to the video above. Like totally. (warning: 1 hour talk, but definitely one of the better uses of 1 hour in my life).

Nice Pen-based Input Research

One of the things I enjoy to using this blog for is to share cool projects from Human-Computer Interaction (HCI) research. This post highlights projects by Gonzalo Ramos (or "Gonzo" for short) and his co-authors. He has worked on several projects demonstrating how much better pen input software could be. These are just a few I like.

1. The Zlider - A pressure sensitive slider widget that adds additional navigation and control capability to standard slider interactions. Academic research video below. Quick demo montage at beginning, but the demo meat is at 3:07


2. Using a Pen to Effortlessly Bridge Displays. Using a stylus, you can simply drag documents between computer screens or mobile devices. The pen motion also implicity defines the orientation of the displays relative to one another. Academic video below. Demos at the beginning and more mobile screen scenarios at around 2:43


3. Rolling the Pen as Input Using an external tracker and a Wacom tablet, rotating the pen in your fingers can be used to control another parameter without moving the stylus. Academic video below, demo meat at 2:19


You can check more of his projects on his website.